Original airdate: September 27, 2026
The premise: In order to save the school, Homer is tasked with transporting reclusive children’s book author Constance Clavinger to the book fair so she can read the long-awaited sequel to her hit book. But then he discovers that Constance’s follow-up story involves violently killing off her own creation, as she has become bitter and disgruntled in life, wanting to pass down her pessimism to a new generation of kids.
The reaction: Does a season premiere really hold much significance anymore? I mean in terms of like shooting out of the gate with a particularly engrossing episode for your first one out. We got the format-breaking “Bart’s Birthday” a few seasons back, but a lot of the premieres in recent years have felt weirdly pedestrian. In an age of streaming where people can seamlessly binge one season into another, it feels like the premiere/finale of episodic TV doesn’t really matter much. Or maybe I feel that way since we just had the Black Mirror parody on Disney+ last month so this start to the actual season feels less exciting. In any case, I ramble about this only because I’m finding it hard to find a lot to talk about in this episode. We open with the school in danger of being shut down and nobody has any good ideas to save it, at least until Mr. Largo speaks up. He has a connection to the author of the beloved children’s book “The Plucky Little Goat” Constance Clavinger, who hasn’t been seen in public for thirty years, and could get her to read her upcoming sequel at their upcoming book fair. I’m not clear as to exactly why this would save the school from being shut down by the state. Sure, this event would generate some mild amount of press, but is it enough to act as a shield to keep them from getting the axe? I dunno. Anyway, Marge tasks a more checked-out than usual Homer to pick Constance up from the airport, but despite Homer mustering up the desire to stay on task, the author proves to be a handful, instantly getting drunk at the airport, throwing up on herself, and getting thrown in outlet mall jail after stealing replacement clothing. She initially explains this as her being nervous about the incredibly high expectations for her long-awaited new book, but when Homer discovers the manuscript features the titular goat being horrifically butchered, her true motive is revealed: jaded by a messy divorce (complete with the younger woman her husband cheated on her with having a Goat tattoo on her ass), Constance’s new goal is to scar children to get them prepared for a lifetime of pain. Constance is voiced by Emma Thompson, who gives an all-in performance, so that’s a point in this show’s favor. I just found it hard to be very invested in this story, since I don’t really buy this book fair mattering all that much, and none of the shenanigans are really that interesting or funny up to this point. The chase to the school where Constance commandeers Arnie Pye’s traffic copter, prompting Homer to thwart her by smashing into cars on the highway, a news story Arnie can’t avoid covering, is alright, as is the children’s book parody sequence. Then we get to the boring ending where an impassioned speech for kindness from Homer finally breaks through to Constance, where she makes up a revised book on the spot about the Goat meeting a smelly Hippo (a stand-in for Homer) who taught him to see the good in things. And then the day is saved and everybody’s happy. It’s your typical Matt Selman-era perfectly perfect happy ending with no teeth that I find incredibly boring. It also felt a lot like the ending to last season’s “Guess Who’s Coming to Skinner” with the Kieran Culkin kid BS-ing a speech about a Skinner stand-in much to the delight of the crowd. I liked a couple things in this episode, but overall it’s just kind of a flat line for me. Homer proving himself to Marge by doing right by her for once is a plotline we’ve seen so many times at this point, there’s nothing new here. We’re over eight hundred episodes at this point, it surely ain’t easy, but you gotta give me something at least a little bit new.
Three items of note:
– This episode reminded me a little of the episode of The Critic “A Pig Boy and His Dog,” where Jay’s mother writes a children’s book inspired by him, “The Fat Little Pig,” much to Jay’s public ridicule. In the end, when she sees how much her work has hurt her son, she writes a follow-up book where the pig is killed to spare Jay’s feelings (as a background gag, we see the cover, “The Fat Little Pig Gets Smoked.”) I feel like I don’t need to say that it’s better than this.
– When Constance starts to become unhinged and incredibly spiteful, it made me think that they were riffing on previous guest star J.K. Rowling, a world-renowned and beloved author who has completely tanked their public reputation with their hate-fueled views. It might have been an inspiration, but they don’t really go down that route, making her damage more interpersonal than any wide-spread hatred of certain groups.
– The sequence of Homer’s concussion-fueled chase after Constance putting him into a children’s book pastiche is pretty cute, with lots of references to other classic kid’s books like Madeline, Diary of a Wimpy Kid and The Busy World of Richard Scarry. It kind of feels like the good version of that Studio Ghibli tribute they did many years ago where Homer and Kumiko’s father get drunk and it just becomes an endless parade of Ghibli references for no reason other than the one guy is Japanese. Here, it makes sense to have children’s book parodies and Homer being concussed through the action of the episode makes for a better segue.
