784. The Last Man Expanding

Original airdate: April 6, 2025

The premise: A new weight loss drug takes Springfield by storm, with Marge feeling immense pressure and shame for being married to the only one left in town not to take the plunge into seemingly thin bliss.

The reaction: I feel like it’s been a bit since we’ve had one of these current event satire episodes, with the anti-obesity medication Ozempic being this week’s target, “cleverly” renamed “O-Thin-Quik.” As usual, the show is late to the party, as South Park did their ozempic Paramount+ special a year ago. I don’t remember much from it, except a ridiculous and lengthy Mad Max-esque ending sequence where the boys are driving a truck full of the drug, fending off attacks by desperate housewives and cereal mascots. But at least that’s more novel than this episode, which feels like it’s not even trying to say anything unique comedically with the premise. One of the only running jokes is everybody’s insistence that they lost weight the “right” way through diet and exercise. They do a “parody” of the famous ozempic commercial, doing their legally distinguishable riff on the “Oh-Oh-Oh-Ozempic” off of the Pilot song Magic, which I guess they were so proud of they play it in full over the credits. There’s just nothing here to bite into. The conclusion involves Luigi and his fellow unhealthy restauranteurs saving the day, desperate to get their customer base back, but it’s barely an element of the story. Early in the episode, a newly thin Wiggum tells everybody you need a doctor’s prescription for the drug, which could have been fodder for a sequence of Springfield residents faking conditions and ailments or something, but instead we just jump right to everybody in town being thin already, strutting their stuff to “Stayin’ Alive” (in 2025!!) Marge pressures Homer into taking the drug, but after learning about its myriad of potential side effects and the uncaring scruples of the corporation behind the drug (“The most enormous beta test of all time and you lab rats are paying us to be in it!”), she stops Homer from doing it. But examining the amorality of big pharma isn’t really focused on either, as immediately after this, Homer is kidnapped on Fat Tony, who plans to overfeed him and harvest his fat to plumpen the sagging jowls and deflating faces of the newly underweight population. In the end, Homer makes a big speech about how much he loves food and that’s it. Like I said, it just feels like there’s so little here to even talk about, it’s like the episode couldn’t even bother to get out of bed. It’s the Ozempic episode, it’ll write itself!

Three items of note:
– Marge, Patty & Selma are watching “The Opal Show” starring Opal, an Oprah Winfrey “parody” the show used a few times back in the 2000s. Looking up her Simpsons Wiki page, I was shocked to see she actually appeared in season 34’s “My Life as a Vlog,” which I don’t remember. If she did appear, it might have been just her, not her on her show though. Regardless, The Oprah Winfrey Show has been off the air since 2011, yet we get this big fat Oprah parody hitting every single ancient, dust-covered reference possible (a Steadman name-drop, her book endorsements, “You get a [blank], and you get a [blank]!”) The ending of the scene in particular was actually shocking; as the scene was going and it was clear they were doing all the Oprah greatest hits, I was thinking there’s no way they would do the “you get a car!” parody, but they went ahead and did it anyway. The episode of Oprah where she gave everybody a car is from 2004, over twenty years ago, and everybody made their jokes about it already. It’s almost like they were intentionally making every hacky Oprah joke in one scene, but what’s the point? It’s 2025, who is this for?
– Good to see Fat Tony back to his Fit Tony weight. I wonder if the writers even remember that they killed off Tony and this is technically a different character. Does it matter? No.
– Near the end of the episode, they make a joke where Sideshow Mel accidentally calls the drug “ozempic” before correcting himself to the joke “o-thin-quik” name. They’ve done jokes like this before where they’re doing a story about something specific they have a joke name for, and someone says the real name by accident. But why the hell not just make it ozempic? I’m not laughing my ass off at the incredibly clever joke name you gave it. Just call it ozempic. It can’t be out of fear of getting sued. It just comes off as dumb to me.

And the saga continues: This show has been long overdue for a renewal order, and boy oh boy did we get one this week. Disney has picked up FOUR additional seasons of The Simpsons, Family Guy, Bob’s Burgers and American Dad!, which is moving from TBS back to FOX. It’s a pretty huge order, but none of this is very surprising. In this current state of Hollywood where executives seem more petrified than ever to risk losing money on new ideas, we’ve seen an increased investment in “safer” projects, like things based on popular IP, or long-running successful series like the four aforementioned shows. For The Simpsons, this will bring the show up to season 40, which is absolutely insane, and ensures this blog will probably still be active through the end of the 2020s. Interestingly, the season orders have been reduced to 15 episodes each, which also feels like a new Hollywood trend of producing fewer episodes per season, so at the very least, it’ll be less stuff for me to sit through in the coming years. As I’ve said multiple times by now, I’ve long given up predicting when this show will finally come to an end, but there’s a sliver of a part of me that thinks maybe season 40 will be it. They won’t quite have hit 900 episodes, but 40’s a nice round number, Harry Shearer will be in his late 80s, and they can hopefully close out the series before any other major cast member leaves this mortal coil. But I wouldn’t be surprised whatsoever if it keeps going beyond that. I guess we’ll just have to wait and see…

11 thoughts on “784. The Last Man Expanding

  1. I’m honestly convinced they use the parody names not for copyright reasons, but because they think it’s funnier. Which it never really is and only gets confusing when you have Wars of both the Star and Galactic kind mulling about in the same universe, but Star Trek goes unparodied. And the D+ crossover shorts only hurts more than it helps.

    The Lego/Blocko gag in Season 12 only worked because it’s easier to believe both could exist in the same world — After all, Lego has plenty of imitators. This not so much.

  2. Bart really sounded like an old lady trying her hardest to not sound like an old lady this episode.

    Everything Marge learns is through hallucinations. She doesn’t read anything or talk to anyone. Just convos with imaginary talking syringes. Episode should have revealed that she was on some other drug that was making her hallucinate or something.

    1. Marge lives a very sad life; she has no friends and her family views her a spineless, potato-cooking housewife who can’t compete in the real world.

  3. My hope is that they realize season 40 will be the last one, so they introduce continuity throughout the whole season as everyone in Springfield prepares to move on their own way. Kind of like Bart’s Birthday, but better thought out and done over the course of all fifteen episodes.

  4. I’m probably gonna quit the show for good sometime between now and Season 40 if one of the main six cast members either retires or passes away. Even if you recast their characters, at that point it really won’t feel the same anymore.

  5. First of all, seeing Wiggum that skinny is absolutely terrifying.

    Secondly, for fuck sake, 4 more years of bullshit. It’s even worse with Selman as the main showrunner. He seems more focused on his own ego and the money than anything else, which is why he lets the writers come up with wild ideas that completely contradict the essence of the show. It’s almost like he just tells the new writers to “go wild” and kicks back without a care.

    What kind of unnecessary changes, recasts, and character disservices are coming next? I’d rather not even think about it. There are still plenty of grounded storylines to explore, even with the side characters. But with someone like Selman in charge, it’s clear that the show’s direction only leads to bad things for the characters, with absurd storylines that require minimal effort from the writers.

    True fans aren’t celebrating these changes, nor supporting the dismantling of what made the show great. However, most of the audience praising it now seems to be younger viewers, who tend to prefer shallow, flashy content over meaningful, heartfelt storytelling.

    I just don’t get how anyone can support Selman’s approach of excusing people who have dedicated years to the show. When Pamela left, it really was just a “so long, good luck”, and then they immediately set out to find her replacement. That’s just disgusting and inhumane. There’s got to be more to her decision to retire, despite her saying she wants to focus on her own projects. That explanation doesn’t quite add up—it seems like she wasn’t happy with the show’s direction.

    Selman’s only in it for the money now, especially given his position, and with Disney’s influence since they bought Fox, things have only gotten worse, and who knows if they are behind these unnecessary changes—as I’ve said in a previous comment under the last episode review on this blog. And based on what I’ve seen and heard elsewhere, people just like to hate on Jean impulsively. At least he actually cares about the voice actors, characters, and audience—most of the time, as well as sticks to the shows charm, despite it being garbage over the past 20 years, if that makes sense.

    1. “When Pamela left, it really was just a “so long, good luck”, and then they immediately set out to find her replacement. That’s just disgusting and inhumane. There’s got to be more to her decision to retire, despite her saying she wants to focus on her own projects. That explanation doesn’t quite add up—it seems like she wasn’t happy with the show’s direction.”

      What are you basing that on, mom?

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