331. Catch ‘Em If You Can

(originally aired April 25, 2004)
This season has been pretty terrible, but none of the episodes were particularly aggravating me and bringing my ire up. Then we get to this recent batch and it’s just one mind-numbingly awful episode after another, culminating with this one, filled with bitterness and recrimination amidst the previously loving Simpson family. Of all the caricaturization of the main cast, the one who hurts the most is Marge, who is mostly a doormat and an endless apologist for Homer’s insane antics, as seen in “Co-Dependent’s Day.” But this episode just brings her, and Homer to an extent, to a whole new level, as they seem to harbor a deep resentment toward their own children. Bart and Lisa get out of having to go to a great uncle’s funeral in Dayton, Ohio, and in exchange, Marge demands that they all do something together as a family. They rent Love Story, because kids love tragic romantic films, then when Bart makes snarky commentary and Lisa soapboxes about the illogical love affair (because she’s apparently a jaded thirty-something now and not a little kid), Marge chastizes them for ruining she and Homer’s romantic moment. Wasn’t it her insistence that they watch the video as a family? It’s like the writers just forgot.

On a spur of the moment decision, Homer and Marge blow off Dayton and catch a flight to Miami Beach to have a second honeymoon. Marge gleefully announces that she’s ditching their kids, toasts to a life without them, and she and Homer laugh uproariously at starry-eyed newlyweds who can’t wait to have their own children. It’s so, so uncomfortable how hateful this episode is. Would Marge ever speak this badly about her children? Never. In the past, we’ve seen her get annoyed with them, even in a similar situation, like in “Grampa vs. Sexual Inadequacy,” she hurriedly tries to calm Bart’s nerves so she can get back to screwing her husband. Here, she and Homer openly criticize them for nothing except for some childish horseplay in the first act. Bart and Lisa discover where their parents really are, and for some reason they have a new mission (“We’re going to follow them across this great land, making sure they don’t have one moment of fun!”) That’s Lisa’s line, by the way. They write her so adult you’d think she would be mindful of her parents wanting to get away, but in this episode, she’s brought down to Bart’s level so the “story” can “work.”

A cross-country chase ensues as the kids chase the parents from hotspot to hotspot, because this totally makes sense as something that can happen. They hand wave it with showing Homer having Flanders’s credit card, and I guess Marge is so horny she has no ethical qualms about it. This is told via an extended montage sequence “parodying” the opening credit sequence to the show’s namesake Catch Me If You Can. It doesn’t really count as a parody if you’re not… parodying anything: both sequences use the same style and music, and are about two people (or two groups of people) chasing each other from place to place. The last stop is Niagra Falls where Bart and Lisa finally catch their parents, where Marge yells at them to shut up (a painful moment), and Lisa doesn’t react to her mother’s resigned disappointment. At least not until the next morning when she tells Bart that they went too far and should give their parents some space. They go to a carnival, where Homer and Marge happen to be, who then flee to a moon bounce, which ends up tipping over the falls while the two are having sex. While Bart and Lisa watch from binoculars and comment how everything worked out fine this week. Marge, the endlessly loving solid hunk of bedrock of the Simpson family, resents her children. The happy ending involves she and Homer finally having sex, and doesn’t involve apologizing to her kids for the horrible things she said, or for lying, or realizing how important they are to her. Everything about this episode is unpleasant and uncomfortable, and I know I keep saying this, but I think we’ve ended the week on the worst one of all.

Tidbits and Quotes
– Bart and Lisa burst through the door fighting each other, knocking Maggie out of Marge’s hands. Her reaction? “Shame on you two creeps!” Creeps? She’d break them up and scold them for sure, but creeps?
– The only moment of authentic Marge in this episode involves her fawning over the wonderful attractions Dayton has to offer (“It’s got Wright-Patterson Air Force Base, and a zipper museum!”)
– I have to stress this again: Marge insisted they do something together as a family, end up renting a movie that her children would have no interest, then get annoyed when they interrupt her cuddling with Homer, and grumble about how kids “ruin everything” afterward. You sat two children in front of Love Story and expected them to watch and be quiet?
– Homer and Marge getting on a different plane is another of this logic gaps the show’s common for now, but the hand wave with the guy at the gate isn’t half bad (“Go ahead, what do I care? I’m getting laid off tomorrow.”)
– Oh yeah, there’s also a running “story” involving Grampa trying to hit up old widows on Miami Beach, but ending up in the penthouse with an elderly gay guy for some reason. And that’s the end of that plot line, Grampa’s stuck in Miami. Also, where the hell did Maggie go?
– Marge and Homer come back to their room only to find Bart and Lisa asleep outside their door. Marge’s response? “The kids tracked us down!” Not out of surprise, but disappointment. How the fuck did they get here, she might ask. They then quickly get the hell out of dodge, with packed suitcases even though they couldn’t get to their room, with Marge telling the taxi driver to “step on it!” She can’t get away from those fucking kids fast enough, I guess.
– Homer and Marge and Bart and Lisa end up on the same Ferris wheel after the kids decided to give them some space. Lisa attempts to explain her motives were good, but Marge cuts her off, “We understand perfectly well!” Seeing her yell at her daughter twice in one show… it’s so uncomfortable. Think back to “Scenes From the Class Struggle in Springfield,” all the events of the episode have led up to a stress-harangued Marge trying to mend her dress for the umpteenth time, causing her to explode on her daughter, a moment treated with actual drama, since that’s so unlike her to do so. Here, she reams out her kids for her own selfish reasons since she just wants to get her rocks off. Which she does in the end in place of an actual apology for acting like a mean, deceitful bitch. I’m not even angry about she and Homer going over the falls without a scratch on them, this is all bullshit.

35 thoughts on “331. Catch ‘Em If You Can

  1. “she and Homer laugh uproariously at starry-eyed newlyweds who can’t wait to bear fruit.”

    Oh, I hate that scene. I guess it would sort of be in character for Homer, but why would Marge be doing that? I know she gets frustrated with her family at times, but when would she ever wish she didn’t have kids?

    And while there’s another pointless product name change in this episode (Lackluster Video), I will give it credit that it’s at least an attempt at a joke. It’s better than Funtendo Zii. That’s about the only good thing I have to say about this episode.

    1. I don’t think Lackluster Video is a bad name change/joke, because Blockbuster has always kinda sucked (are they even still around?). But yeah… FUNTENDO ZII doesn’t even make sense. I mean, the second the name “Wii” was announced, there were much better jokes about the name posted by internet trolls on gamefaqs.

      MAPPLE has to be the worst, though.

  2. “Homer and Marge getting on a different plane is another of this logic gaps the show’s common for now, but the hand wave with the guy at the gate isn’t half bad (“Go ahead, what do I care? I’m getting laid off tomorrow.”)”

    In the same scene, I also like Homer’s “As the Bible says: Screw -that-!”

  3. Don’t recall anything about this one, but reading your review, would you say this time we’re dealing with Jerkass MARGE instead of Homer?

  4. Also wouldn’t the excessive use of Ned’s and a MINOR’s credit card be detected on not-visa’s systems and they would have been called to be notified of suspicious behaviour and wouldn’t they have the option to lock both cards out upon finding out and also wouldn’t they have noticed their credit cards missing that whole time???

      1. I just thought that scene was a bit funny because I thought children weren’t allowed to have credit cards. Sure from this standpoint that’s illogical, but for the sake of a short gag I can take it.
        Aside from that, the only thing I like in this episode is when Homer and Marge make out in the bouncy castle going over the falls. Everything else – including how they got down to Horseshoe Falls in the first place – can go to hell.

  5. I never realized until recently how many episodes of Zombie Simpsons take place in (the wonderful state of) Florida. At the top of my head… this one, Special Edna, Kill the Alligator and Run, Homerazzi, and Sunday Cruddy Sunday… oh and the Simpsons Ride is there.

  6. Wow, this is the first episode you’ve reviewed that I don’t remember at all. I think this is the season where I concluded that the Simpsons were gonna stay mediocre at best (I still remember a few episodes that you haven’t reviewed yet).
    I’m about the same age as you (I was born in 1988), and my mom wouldn’t let me watch the Simpsons until I was in Middle School and I remember being disappointed by all the new episodes (seasons 12 and on) but laughing at the older ones. I have the first 8 seasons on DVD and watch them all the time!
    Since I started college in 2006, I’ve sat through exactly one (1) episode. It was the 24 Minutes one. I was at a friends house. He still watches it. And it sucked.
    Tipsy rant over!

    1. Since 2006, the only episode really worth watching is “Eternal Moonshine of the Simpson Mind”. It’s not GREAT but it has more genuinely funny jokes and a few really great sequences in it, so that puts it above 99% of the Simpsons output. The guy who wrote it wrote “Moe Baby Blues” (which was another one of the better Zombie Simpsons episodes) as well as “holidays of futures passed” (by far and away the best episode they did last season). He also wrote many Futurama classics like “Roswell That Ends Well” and “A Head in the Polls” (my fav. episode, period)… so yeah, this guy needs to write more stuff and The Simpsons could maybe finish their run at least a little above average.

      1. I hear that a lot but it was about as good to me as that Lost parody they did in season 23. Kinda just obvious and unfunny. I mean, compare it to the Cape Feare parody… or even the Twin Peaks parody… or, even in Zombie Simpsons land, King of the Hill-ish “bobby i got propane in my urethra” says a lot more, a lot more quickly and funnier, than 24 minutes of 24 parody.

        I will say, the episode that was right before it, with Ludacrest and the kinda-obscure Raising Arizona tribute had enough brilliant moments to be watchable. That season, as a whole, has more watchable episodes than probably any season since… 11?

      2. “24 Minutes is one of the best episodes of the series.”
        What? Its a joke, right? The fact that an episode is not horribly written, doesn’t mean its decent, let alone funny to watch.

  7. I remember getting to the end of this one and feeling nothing. Like, I knew I had just watched something, but I didn’t care; it elicited nothing from me. Maybe I’d just gotten numb to the pain of Season 15 by this point, but I barely remember a thing from this one outside the half-assed attempt at spoofing Catch Me If You Can. And I only remember it because it’s two and a half minutes long and eats up the time they could have spent resolving the Grandpa subplot. Whatever.

  8. Wow, I can understand hating the episodes prior, but really, this one too? I thought this was a fun and enjoyable episode, the best of the season. I loved the sequence where Homer and Marge are being chased by Bart and Lisa in that unique animation style. I also laugh at the whole aspect of the tornado hitting the hotel and Marge not knowing anything about it when Lisa talks to her on the phone.

    1. I, too, am guilty of laughing at this episode with so many mean out-of-character characters. Mostly because I somehow found it funny and had a cool travel plotline. I always found it funny when Lisa went into the Gold-Medallion Club with Silver-level membership to distract the airport computer guy.

  9. Man, as someone who had stopped watching at this point it’s so fucked up to be reading these writeups. I mean I knew the show wasn’t good anymore, but I had no idea how intensely unlikeable they were making the characters.

  10. Totally agreed, Marge should never, Ever treat her children like that. The only good thing about the episode was the cartoonish sequence of the running around, only because it looked nothing like what we’ve seen for a while.

  11. I liked Homer arguing with the video clerk (“I’m sorry, sir, but the computer says the movie “Chocolate Star Wars” doesn’t exist.” “I say YOU don’t exist!” “No, i’m right here under staff.”)

  12. I definitely missed this one. At this point in time, i was a freshman in college and, judging by the date, might have been studying for exams maybe? Sounds like another utterly abysmal one.

    I was still watching the show nearly every week but definitely just out of habit at this point. I was starting to miss them here and there because this was college and the cheap beer wasn’t going to drink itself, but i had a couple close friends who loved the (classic) Simpsons as much as i did, so we usually made a point to watch.

  13. I’ve been reading through this blog trying to pinpoint the exact moment that I finally gave up on The Simpsons. This episode was it.

    The Simpsons was my favourite show growing up so it was hard for me to let go. I stuck it out longer than I should have out of loyalty and watched week in, week out until about Season 13. After that I watched less frequently but kept tuning in every now and then in case it improved. However it was this cruddy, cruddy episode that made me finally give up hope. In particular as I watched the montage scene I realised that it was never going to be the same show again. For me it was the montage scene that finally pushed me over the edge and I gave up on the Simpsons for good. I haven’t watched a new episode since.

  14. Years ago I watched this episode and thought it was pretty good. However, I came to realize I only liked it for that one animated sequence that was done in an interesting style.

    Having now watched it with fresh eyes, I totally agree with you Mike, it is a dreadful one. It’s so mean spirited and I don’t get the bit on the plane. Like why the hell would Marge and Homer tell complete strangers why they are there and why would the strangers cheer? Also, what about the uncle’s birthday? How he is going to feel? That reminds me of an episode from this past season where the family ditches going to an aunts birthday to go to New Orleans instead (to be fair though, it was a much better episode than this one).

    I did find it weird how they went to a video store to rent a movie for everyone to watch, but then left with the one Marge picked no questions asked. Why? Are they not allowed to rent more than one movie at a time?

    The grandpa stuff makes no sense either and yeah, they totally just left that plot off with no resolution. WTF?

    Now I did like the airline dude giving them the tickets because he was going to get laid off and Bart using *69 was funny. Other than that, I can’t think of any funny bits of dialog.

    Admittedly, I do still think that animated chase sequence saves the show from being the worst of the season. Never seen the source for that bit, so I can’t tell you how much of it is a parody or not.

    1. It’s literally the “Catch Me if You Can” opening with the Simpson heads plastered over the original characters.

  15. This episode feels more like a Scully episode than a Jean episode, in that this one seems like it’s actually trying to be funny and has a good number of jokes that land throughout. It just has absolutely awful characterization, plot holes, no resolution, and a bad subplot that seems to only exist as filler. But I still give it more credit than some of the slop surrounding it, i.e. “My Big Fat Geek Wedding”, “Co-Dependent’s Day”, because this is at least entertaining to watch unfold, aggravating as it may be.

  16. I like this one quite a bit, maybe from nostalgia but that’s OK.

    I like Bart and Lisa getting along but their opening squabbling felt pretty in-character. Bart and to a lesser degree Lisa are often enough are pretty bad to each other and more so to their parents, it’s OK and understandable and not excessive that Marge got openly aggravated at them.

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