139. Marge Be Not Proud

(originally aired December 17, 1995)
Six years following the first Christmas episode (and first episode ever), we get our second: a show with an Aesop-heavy vibe, but never gets too seeped in unearned sentimentality. Bart is hell bent on getting the new Bonestorm video game, but Marge believes it’s too violent. Out of options and tempted by a recklessly open display case, Bart swipes the game from the local Try-N-Save (is there any Simpsons store that doesn’t have an brilliant name?) His efforts are thwarted by gruff no-nonsense security guard Don Brodka, voiced by Lawrence Tierney (of Reservoir Dogs fame, one of my favorite movies).
Eventually Marge finds out and becomes very disillusioned about her son, unsure how she should treat him from now on. This creates a sizable rift between mother and son, and Bart has to find a way to make things right by her.

If you read this blog then you’re probably familiar with Dead Homers Society, and their attesting that this is the sole blemish on seven flawless classic seasons. I can’t claim some of their gripes aren’t valid; when you boil it down, this is a “very special episode” played fairly straight, with no real twist or subversion. But what keeps it engaging and impacting is its honesty. When you’re a kid, you’re afraid if a parent getting angry at you, but then you find the worst thing they can be is disappointed, especially your mother. Here the characterizations are perfect; Bart isn’t a bad kid, he was tempted, as we all were to steal a little sumthin’ sumthin’ in our childhood. When his actions are exposed, Homer can only get mad, but Marge basically shuts down emotionally, not believing her special little guy could steal. Bart, who complained about Marge’s over-mothering earlier, misses it, and starts to yearn any kind of parental affection, even if it’s not from his own. The overtly emotional moments of the show work because they feel genuine, and we are completely invested with these characters we love. Some may feel Marge getting the portrait and hugging her son is too saccharine, but I thought it was totally earned.

Besides all that, this show has just as many laughs and classic moments as any other classic episode. Most effective are the video game parodies: the over-excessively violent Bonestorm is a ten-year-old boy’s wet dream, complete with an aggressive marketing campaign (“Tell your folks, ‘Buy me Bonestorm or go to Hell!'”) Contrasting with that is Lee Carvello’s Putting Challenge, which Bart has to feign interest in to appease his mother at the end. The game footage over the credits is absolutely one of the funniest bits of the series. Everything is perfect, the digital effect and choppiness of the voice, and the fact that the game developers included a parking lot graphic. Even when things get heavily emotional in the third act there’s still lots of jokes, like Homer’s list of punishments and Bart somehow managing to improperly place marshmallow in cocoa. So I’m not bothered at all by this show, I think it’s got a lot of great bits and a good heart. What’s a little bit of schmaltz every now and again, huh?

Tidbits and Quotes
– Gotta love Krusty’s horribly Christmas special, “A Krusty Khinda Kristmas,” sponsored by ILG chemicals, and Li’l Sweetheart Cupcakes (a subsidiary of ILG). Of course the show is half-assed, with an open window exposing the fake set, and Krusty’s inability to pronounce the name of one of his guests. Lisa questions why Krusty, a Jew, would be doing a Christmas show, to which Bart wisely responds, “Christmas is a time when people of all religions come together to worship Jesus Christ.”
– A tour de force performance by Comic Book Guy (this is really his shining season), overflowing with mockery in Bart’s belief he can purchase Bonestorm for 99 cents (“Net profit to me, negative $59. Oh, oh please, take my $59. I don’t want it. It’s yours.”) Still confused, Bart reaches for the money, but CBG stops him short. (“It seems we are unfamiliar with sarcasm. I shall close the register at this point.”) Hank Azaria does such a fantastic job, each line of his just drips with utter contempt for his customers.
– Bonestorm is one epic game, as when Milhouse plays it it seems that it creates a wind tunnel in his living room. Also great is his game handle, “Thrillhouse,” which only appears as THRILLHO. And also great is Milhouse throwing Bart out, claiming he’s swearing, and then later again claiming he’s smoking.
– Arriving at the Try-N-Save, Bart comes up with a logical plan on getting the game (“Maybe if I stand next to the games looking sad, someone will feel sorry for me and buy me one.”)
– Love the bratty kid and hot uncaring mom, who happily buys her son a Bonestorm (“Get two. I’m not sharing with Kaitlin!”) Bart overlooks in awe (“That must be the happiest kid in the world.”)
– Great daydreaming with Mario, Luigi and Donkey Kong convincing Bart to take the game (“It’s the company’s fault for making you want it so much.”) Lee Carvello shows up to protest; that game’s not going to help his putting. Then a manic Sonic the Hedgehog seals the deal (“Just take it! Take it take it take it take it take it!!”)
– More foolproof logic from Bart, when Detective Brodka stops him on his way out and asks him to unzip his coat (“I don’t think this is the kind of coat that opens.”)
– Another great tape for the Troy McClure video library, “Shoplifters Beware!” where he openly admits it to be a completion of his plea bargain “with the good people at Foot Locker of Beverly Hills.” He explains stealing originated in ancient Phonecia (“Thieves would literally lift the corner of a shop in order to snatch the sweet, sweet olives within. Oh, Shakazaramesh, will you ever learn?”) Before he goes to ancient Babylonia, Brodka shuts off the tape. A dual joke in showing Brodka’s impatience and contempt for showing the tape, and that the video must be incredibly lengthy.
– I love Tierney’s performance, a man of absolutely no mercy, taking his job at a lame retail store very seriously (“You know, that kind of mush might fly at Lamps Plus, but don’t peddle it here.”) His monologue calling the Simpson house, only to be revealed it was just an answering machine is hysterical.
– Homer is puzzled at his answering machine (“We didn’t have a message when we left. How very odd.”) But Bart had managed to switch the tape to Allan Sherman’s “Camp Granada,” which confuses Homer further (“Marge! Is Lisa at Camp Granada?”)
– The steam out of Bart’s ears actually being two teapots is such a cheat, but I’ll give credit where it’s due.
– Love Bart’s paranoia in the car, with the car locks sounding like prison doors, and imaging Brodka’s imagine on the seatback, complete with his continued ignorance of “Capiche.” (“Catfeesh?”)
– I really like that the Simpsons are excited at a fun day out at the Try-N-Save, basically the equivalent of a WAL-MART now. It speaks to their upper-lower-middle class roots.
– Wonderful bit with Marge gazing at a watch, and Homer implying maybe somebody will get her it for Christmas. He obliviously thinks that’s a great cover; now she’ll really be surprised when she opens the iron board cover he got her. Also great is Homer annoyed at the photo center’s fake TIME magazine cover, with Flanders as man of the century (“Must have been a slow century.”)
– Kind of like Homer having knowledge of Supreme Court justices, I like that Bart apparently knows who Ansel Adams is.
– God, I love Det. Brodka, he’s one of my favorite one-off guest stars. Every line of his is great (“Sure, now he’s just a little boy stealing little toys. But some day, he’ll be a grown man stealing stadiums and… quarries.”)
– Homer’s angry rant at Bart is hysterical; first he can’t remember Reverend Lovejoy’s name (“Captain Whatshisname,”) then he gets side-tracked in his second blast against Police Academy of the series, then caps it off with, “Stay out of my booze!”
– I like how Lisa is able to decipher Marge’s emotions (and cute bit where she admits she hasn’t known Mom as long as Bart has), but is still kid-like in giving a meek shrug when Bart asks if she’ll be mad at him forever. In a later show, Lisa would just flat out tell Bart (and the audience) what to do with the decorum of a forty-year-old.
– I love Homer’s list of punishments (“First, he’s grounded. No leaving the house, not even for school. Second, no egg nog. In fact, no nog, period. And third, absolutely no stealing for three months.”) We then find the paper he’s been writing actually just contains a drawing of a robot grilling a hot dog.
– I like the subtle dig at the limited appeal of video games, that Milhouse quickly gets tired of Bonestorm in favor of a cup and ball game (“Man, you never know which way this crazy ball’s going to go!”)
– Great reading when Homer blocks Bart off with the pet gate (“Get ’em, ma.”)
– “Welcome to Lee Carvallo’s Putting Challenge. I am Carvallo. Now, choose a club. You have chosen a three wood. May I suggest a putter? Three wood. Now enter the force of your swing. I suggest feather touch. You have entered ‘power drive.’ Now, push seven eight seven to swing. Ball is in: parking lot. Would you like to play again?  You have selected ‘no.'”

23 thoughts on “139. Marge Be Not Proud

  1. I adore this episode. I have no idea what the guys at Dead Homers Society are smoking. Bart’s guilt and Marge’s response both hit very close to home for me. It’s also a funny as hell and I make sure to watch it every Christmas. One of my absolute favorites.

  2. No comment on DHS’s opinion of this episode, but if I were on the writing staff at the time, I’d probably have tried to make things a lot more morally ambiguous – let’s say, with an apathetic security guard who, after catching Bart, lets him get away. Not sure where I’d take it from there, and I’m not sure whether it’d work, but I do know I like complex morality.

  3. I love this one too, but I’ll admit that took a while for it to grow on me. “You have selected POWER DRIVE” gets me every time.

    The commentary provided lots of insight to Lawrence Tierney. He was one of those people that intimidated everyone, and the crew felt relieved that they were able to talk about him due to his death. He had no clue how the phone conversation with the answering machine was supposed to work, and when he arrived at the studio the lino driver refused to come back for him. Total badass.

  4. I have to say, yes, there are Simpsons stores without brilliant names. ‘Sprawl-mart’ comes to mind. I do like this episode though – formulaic and cheesy, yes, but Lawrence Tierney’s performance and fantastically funny lines like ‘GET ‘IM, MA!’ save it.

  5. great episode. I can think of classic-era Simpsons episodes that aren’t as good as this one.

    I mean, hell, THRILLHO is one of the most overused nicknames on the net!

    Also, I occasionally see BONESTORM listed as a Mortal Kombat riff, but I always thought it was more a parody of the game BLOODSTORM, which is kind of obscure… Pretty fun game, though. MAME it up..

  6. This was the comic store person’s season, his presences were always highlights. I think they ruined the character when later they made him so obviously pathetic. By cutting him down it takes a lot out of his put downs. That’s just my opinion. They should have kept him as he was in this season.

    1. In the later Seasons, CBG was used more as a prop to make geek jokes and attempts to justify bad writing.

      Speaking of obviousness…

      Comic Book Guy: Excuse me, I believe this family already had a horse, and the expense forced Homer to work at the Kwik-E-Mart, with hilarious consequences.
      Homer: Anybody care what this guy thinks?
      Crowd: No!

  7. This episode is just fine. My “one bad episode” of the first seven seasons (discounting clip shows) is “Homer Goes to College.” MAN I hate that one.

  8. I’d been going through DHS before coming across this site and re-watching these episodes now I figured I’d hate it cos I do agree with DHS that it’s a bit too “very special episode” but I think it still works because within that there are a ton of just brilliant jokes.

    Brodka is such a great character, every line is gold.
    I love him leaving his message, Homer’s confusion over there being a message and then “Marge, is Lisa at Camp Granda?”

  9. This episode has some serious moment handled too heavy, and the end is predictable. It wouldn’t have been so hard to find a subversive but straight way to end it(The Simpsons are subversive but always straight ,in their genius unconventional way). Or at least they could have made Bart feelings less heavy for the viewers, making him feel different emotions, like hunger for example, or simply making him doing something more than just suffering.
    But the episode still works for me, its gags are funny as hell and there’s too much to love, beginning with Brodka.

  10. I always thought DHS was unduly harsh on this one. Yeah, it’s schmaltzy as fuck, but the jokes are just so goddamn funny. This episode delivers throughout.

    The putting challenge sequence is awesome

  11. I have no idea why No Homer’s Society would say this episode is terrible, but whoever wrote that article was clearly a moron.

    This episode is fantastic. I can tell you at least 10 episodes from the first 8 seasons that are worse than this one. Granted, that may not seem like much considering that is 175 episodes, but you get the point.

    It deals with a serious subject and knows how to handle it. Brodka is great. The kid who tells his mom to shut up is great. Milhouse telling lies about Bart to get him kicked out of the house is great. All of it is great. “Tell me I’m good.”

    1. It’s not “No Homer”(which is total crap), it’s the “Dead Homer Society” who wrote the article, and nobody said the episode is terrible anyway. They say it’s gold, but the whole ending is totally Un-Simpsons: the opposite of what made The Simpsons the greatest tv show ever. It’s because it is all so straight, predictable, with dull forced tension about the happy ending you already know it’s going to happen. So, the typical 80s family sit-com stuff that The Simpsons used to subvert with their genius writing here is the climax of the episode instead. Very bad for their standards.
      But it’s still a great episode, though. Brodka is one of the greatest.

  12. Yeah I really parted company with the No Homers guys over this one. The emotional story is on point for me and allows us to explore the Bart and Marge relationship, like few (if any?) others episodes do. But quite apart from this, I always find Homer’s lines much funnier when he doesn’t have to drive the plot, and every one is a stone cold classic here:

    “Tis the season Marge! And we only get 12 more Noggy days…”

    “Captain Wassisname?”

    “For fun? Well I didn’t hear anybody laughin!!”

  13. I don’t think there is anything wrong with…not being subversive of these classic sitcom setups if you stay true to YOUR own characters. A good contrasting example would be Miracle on Evergreen Terrace, which is the opposite of Marge Be Not Proud in every way because it massively failed from subverting saccharine Christmas cliches and accidentally make a point of showing why you liked having them in the first place.

  14. Yeah, I also have to disagree with DHS about this episode. It’s a bit schmaltzy, but not overly so most of the time, and there’s enough good jokes to balance it out. I also like the concept of the episode: disappointing your parent(s) is a very relatable event, so it’s neat that they portray it pretty effectively. I also think it’s a pretty odd coincidence that the first two Christmas specials aired six years (to the day, I might add) apart.

    I mentioned that the jokes are good, and yeah, they are. I love just about everything out of Brodka’s mouth (“if I wanted smoke blown up my ass, I’d be at home with a pack of cigarettes and a short length of hose!”). He’s such a great character. Some other good bits include the McClure video, Camp Granada, “Thrillho”, Homer’s list of punishments, and, of course, Lee Carvello’s Putting Challenge (“you have entered power drive!”)… There’s just too many funny moments for me to find this episode bad. Despite its sappy nature, it’s very enjoyable.

  15. Love love love this one. Straightforward kind of episodes with endings you’d expect were not alien to the show at all, first few seasons especially. I also don’t see how Bart getting Putting Challenge instead of Bonestorm at the end doesn’t qualify as something slightly unexpected upon first viewing?

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