117. Bart’s Comet

(originally aired February 5, 1995)
Y’know, after doing so many of these write-ups, some episodes you just kinda get stuck on what to say about them. This is a spectacular episode full of lots of great character bits, memorable set pieces and a satisfying, heartwarming ending, but I don’t have much to report on besides that. I’m sure I’ll come up with something, though. For how silly this episode can get, it’s very economical, where all the events lead you through the story and pay off in the end. We open with Bart’s brilliant balloon prank, which results in his punishment to help Skinner in his early morning astronomy. The balloon returns to distract Skinner as Bart observes a comet by happenstance and gets the credit. Then at the very end, the comet shoots through the balloon coming into the atmosphere, closing the book on Skinner’s public humiliation… for now.

This episode is also a great look at mob mentality, which is a common theme in this show. A whole mass of Springfield residents arrive at the door of Ned Flanders’s bunker, wielding weapons hoping to get in, but they quickly disperse and apologize when Ned tells them they’re full. Ned thinks better and allows them all in, which leads to the hilarious image of all the townspeople stuffed in a small space, a visual that works wonders. Not only are there small jokes within (Waldo appears briefly, the bottom right with Nelson having Milhouse in a headlock), it’s interesting direction dealing with so many characters in a confined space. Anyway, Homer vindictively casts Ned out to save the rest, which Ned does so willingly of course. Then no sooner after does Homer decry everyone else for the decision he himself proposed (“I’m surprised and disgusted by all of you, especially his children!”) He goes out to join Ned, and the rest of the crowd is soon to follow. Springfield mobs are usually easy to sway, and when they shift focus, they go all out, regardless of any kind of sense (Moe is next to leave: “Hey Homer, wait up, I wanna die too!”)

Umm… ahhm… we see more general incompetence on behalf of local and national leaders. The Quimby-sanctioned plan to stop the comet is to send a missile to blow it up before it gets too close to the planet. The people of Springfield are easily mollified by this, thinking the plan sounds like dynamite. It can’t fail! They walk outside after the town hall meeting, take a look at the menacing comet in the sky, and they just laugh. And then they gather outside at night to watch the comet get destroyed like it’s some kind of fireworks display. It’s all a show, until shit gets real when the missile ends up blowing up the only bridge out of town. Later we see such ineptitude in a higher scale when a bill to evacuate Springfield on the floor of Congress is about to go through, until it is hastily paired with an unorthodox rider: $30 million of taxpayer money to support the perverted arts. The Springfield-slash-pervert bill is instantly defeated (Kent Brockman muses, “I’ve said it before and I’ll say it again: democracy simply doesn’t work.”) Sorry if this review feels kind of half-assed. Some episodes I kinda get stuck on, and while this is a really really great episode, I haven’t much to say about in on a whole. I’ll do better next time, I promise.

Tidbits and Quotes
– Skinner proudly closes science week with the launch of a weather balloon, which Bart seems suspiciously excited about (“‘Hurrah for science, woo’? I can’t say I approve of the ‘woo,’ but the ‘hurrah’ was quite heartening.”) The incredulous repeating of Bart’s excited words is hilarious. Harry Shearer is fantastic in this episode as Skinner, his passion for his amateur astronomy, his deep-imbedded hatred for his rival principal, and his feeble attempts to make things go his way, which always go wrong.
– The big butt Skinner balloon is such a fantastic design. It’s so fantastic, it’s something that really Bart should be praised for making something that creative and elaborate.
– I love the DJ alarm on Bart’s clock at 4 am (“Top of the hour, time for the morning news. But of course, there is no news yet. Everyone’s still asleep in their comfy, comfy beds. Good night, everybody.”)
– I could listen to Skinner read out findings all day. I love after the time lapse he’s still just as eager to read out the coordinates… but it still leads to nothing.
– Great, great line when Skinner manages to capture the balloon (“Got you, my rumpy doppelganger!”) And hilarious act break with a gut punch to Skinner: Bart steals his discovery, which causes him to let go of the balloon, then the paper boy makes his deliver, with headline “Prez Says: School Is For Losers.”
– Lots of great stuff at the town hall meeting, from Quimby’s opening statement (“Fellow citizens, when I learned about the impending crisis, I caught the very next plane to Springfeld… field”), to both the slideshow rendering and Frink’s model demonstration both resulting in Moe’s being singled out as destroyed (both accompanied by Moe reacting, “Oh… dear God, no!”)
– Great quick joke that the armory rocker is labeled, “Aim Away From Face.”
– The news report at the start of act three has some great lines, starting with Kent (“And, like Icarus, the rocket foolishly soared too high, and lost control of its servo guidance mechanism, leaving us with some six hours to live,”) Arnie Pye reporting on cars lunging over the destroyed bridge out of town (“It’s a silent testament to the never-give-up and never-think- things-out spirit of our citizens,”) and finally, Kent’s last-ditch revelation (“The following people are gay,”) a list that consists of a majority of the Simpsons staff.
– The ending with everyone coming together singing “Que Sera” is pretty sweet, and the harrowing fact that the only thing the comet destroys is the bomb shelter. And of course the very end is great with the shocking realization that Homer was right all along that the comet would break up to be no larger than a chihuahua’s head, and to further push that point, it lands right next to one of the tiny dogs just for scale’s sake.

4 thoughts on “117. Bart’s Comet

  1. How are there no comments for this episode at all yet? Your review was only posted 6 years ago.

    Anyway, as you said, it’s hard to talk about why this episode works, but it does. There is a lot of comedy gold to be found here and the premise is interesting. Everything flows very well together. My favorite moment is at the end when the kids and Homer are scared of him being right.

    I’ve actually never noticed Waldo though, so now I need to watch the episode again to see that.

  2. A mighty fine episode. It really ups the hilarity of Springfield’s insanity, as they go all out insane over this comet about to crash on them. There’s plenty of hilarious bits in this episode: the attempt to shoot down the balloon being mistaken as an attack on some jets, “the “hurrah” was quite heartening”, the readings, Skinner’s triple “no”, Quimby taking a plane to Springfeld- I mean, Springfield, a citizen flipping out over Frink stalling in explaining the comet situation, Moe’s “oh, dear God, no!”, the plan to destroy the comet going haywire when the missile hits the bridge, and later cars driving off it, “the following people are gay”, “there it is”… Again, listing all the funny bits in these episodes is tough because there’s so many, but I love this episode for it.

    The ending with “Que Sara” is also great. I love the comet slowly shrinking down as it falls toward the ground, and then the bomb shelter being blown up. I really like this one overall.

  3. Skinner was asking for it with that yellow-top blue-bottom balloon with such an obvious buttcrack at the top. What bizarre school supply store did he buy that from?
    You also have to love that they fired a rocket at the comet… from the side. The dumbest possible way you could do that.
    The idea that Springfield is in some kind of crater with only one bridge out of town, for some reason, didn’t bug me.
    But that gag with the jet pilots arguing about military budget, that sure as hell would never get made in any part of the ensuing two decades. And I love that after they fall, they just start punching each other. Perfect gag.

  4. The moment when Ned starts singing by himself as he alone waits to die from the comet is such a uniquely beautiful and eerie moment in this series. I can’t think of another like it (at least from the classic era) in terms of atmosphere and tenseness.

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