ReView Askew: Clerks – The Animated Series (2000)

 It’s really strange to me how a Clerks cartoon ever came into being. After the initial success of the film, a pilot for a Clerks sitcom was produced by Disney/Touchstone, a woefully uninspired work that you can pretty much picture in your head: just take the character names and the setting of Clerks and mutate it into a putrid TV-PG 90s sitcom. Kevin Smith and his fellow cast and crew had no idea of its existence until it was already in production, and by the look of the finished product, they were probably pretty thankful of that fact. Perhaps inspired by this aborted pilot, Smith and Scott Mosier went on to pitch an animated Clerks project to any network that would speak with them, eventually getting series offers from UPN and ABC. They were convinced to choose ABC (considering Miramax, owned by Disney at the time, was producing the show), thinking the bigger network was the better choice, but sadly, that proved not to be the case. Clerks: The Animated Series (or Clerks: TAS, to be brief) is such a weird anomaly of a show. I can’t even say it was cut down in its prime, because it didn’t even get a chance to fully get there.

Animation on primetime network television outside of FOX basically came (and quickly went) in two waves. The first was in the early 90s following the massive success of The Simpsons, prompting other networks to swiftly green light their own animated shows to compete, but the likes of ABC’s Capital Critters and CBS’s Family Dog barely lasted a season. The second wave happened in the late 90s/early 2000s on the heels of South Park and King of the Hill, where we got brief glimpses of shows like Mission Hill and The Oblongs for the three weeks they were on the air before they were shot out back behind the studio. Around this time, before the days of Grey’s Anatomy and LOST, ABC didn’t really have many heavy-hitters on its hands, and when that’s the case as a network, you’re more likely to take a chance on more unconventional shows, like a cartoon based on that vulgar, indie black and white movie that barely anybody saw. But between the production of Clerks: TAS and it making it to air, a little show called Who Wants to Be a Millionaire? premiered on ABC and became a gargantuan hit. I remember when that show took off, it was literally airing it five nights a week at one point, and they’d still get enormous ratings each night. People just couldn’t get enough of it. That being said, ABC was less inclined to give Clerks: TAS the time of day, dumping it not even during mid-season, but in the summer, premiering May 31, 2000. Despite six episodes having been produced, only two aired before the show was unceremoniously canceled, a mere blip in the history of network television. Continue reading “ReView Askew: Clerks – The Animated Series (2000)”

ReView Askew: Dogma (1999)

Kevin Smith’s original trilogy of films, while covering a range of different subject matter, all had a similar scope to them, centering around stories of twenty-somethings and their interpersonal problems, with some dick jokes sprinkled liberally throughout. The stakes were relatively low. That said, it certainly was a departure from the established norm for Smith’s newest film to involve the fate of the entirety of existence, all while directly examining Catholicism and the concept of faith. Originally titled God, Smith actually started writing the initial script for this film soon after Clerks, but knew that to tell a story this grand of scale, he’d need some more films under his belt to both actually be able to finance such a movie, and have the work experience to pull it off. After resurrecting his career with Chasing Amy, it seemed like then was as good a time as any for Smith to take a shot at his religious opus.

Dogma is easily Smith’s biggest movie in a number of ways: the stacked cast of big celebrities, the ambition of the storytelling, and the sometimes dramatic tone and serious subject matter. It also feels like the most difficult film so far to break down for a review, just because there’s so many different things going on in it. Unlike Mallrats and Amy, I was a pretty big fan of this one when I was younger, coming close to rivaling Clerks as my favorite. I wouldn’t call it the meatiest satire, and there’s some groaner jokes throughout, but it raises a lot of interesting ideas and questions about organized religion and the idea of faith; nothing too complex, but general enough to be a little thought-provoking, especially to my then-teenage self. It never feels like it gets too far up its own ass with its sermonizing… although it does get a little close at times. Continue reading “ReView Askew: Dogma (1999)”

ReView Askew: Chasing Amy (1997)

Things weren’t going so hot for Kevin Smith after Mallrats, considering it made no money and everyone hated it. But there was one silver lining for Smith on his sophomore film: Joey Lauren Adams. The two met on the Mallrats set, and ended up dating for a while. It was only a few years before they split on amicable terms, but their romantic tryst ended up being the direct inspiration for Smith’s next film, a more dramatic turn taking a naked and honest look at relationships, specifically on how one’s insecurities can cloud and warp them. Made on an incredibly small budget, Chasing Amy turned out to be Smith’s second wind, with many critics being pleasantly surprised by his headier, more serious film. It showed that there was a little more that Smith had to offer than his usual crude fare, and although that’s pretty much the pond he continued to wade in for most of his ensuing career, Chasing Amy definitely displayed a new side of him.

As I mentioned before, Mallrats and Chasing Amy are the only two Kevin Smith movies in this series I haven’t watched since high school. And while I felt reasonably confident my thoughts on Mallrats wouldn’t change much from my memories of it (and they didn’t), I was curious to how I’d react to Chasing Amy. I could certainly see why a slow-moving romantic drama wouldn’t be that appealing to my teenage self, but I’m definitely more susceptible to this sort of film as an adult. I was also curious how much of a potentially cringe-worthy time capsule this would be in regards to its gay subject matter; the premise alone of a lesbian falling for a man seemed like it might not hold up super well. So after finally seeing it again, I’m definitely a little conflicted. I wouldn’t consider it a good movie, but there’s definitely quite a bit here that I think works well. It certainly feels like Smith’s voice is back in it after Mallrats, undoubtedly because of how personal the subject matter is to him, but the execution of the film is a bit of a mixed bag. Continue reading “ReView Askew: Chasing Amy (1997)”