(originally aired December 18, 2005)
Oh boy, another anthology episode, and this time it’s a holiday edition! It’s quite… boring. I usually find these shows that insert our characters into famous stories rather lazy and uninspired, and even though only one of the three here is an adaptation, I still get that feeling anyway. The first tells the story of the very first Christmas, with the birth of Jesus Christ, here played by an adorable baby Bart. Marge is Mary, Homer is Joseph, other characters are… other characters. And there are jokes made. These segments are honestly just so uninteresting to me. You know the story they’re telling, so you’re just waiting for them to go through the motions. Maybe if they had some interesting religious commentary, or subverted the tale in some manner, but that would be too risky. Why take a chance in comedy when you can take the safe route?

The second segment is the best, in that it made me the least sleepy. Grampa spins a nonsense tale of being stuck on a deserted island with Mr. Burns after being shot down during World War II. They then accidentally shoot down Santa Claus on Christmas Eve, and must help him repair his sleigh. There’s a few lines here that are amusing, but just as many that aren’t. Moreover I enjoyed seeing a younger Abe and Burns, and hearing Dan Castellaneta and Harry Shearer off their typical autopilot making the characters sound sixty years younger was also nice to hear. The third segment is just a series of vignettes set to the Nutcracker Suite, the most glaring of which is a joyful montage of Moe’s many failed attempts at suicide. I had just chastised the show for not being ballsy, but in this instance it’s completely misdirected. As I’ve mentioned previously, any taboo topic can be turned into comedy, but the fact that being suicidal has become nothing more than a quirky character trait for Moe that they can joke about, it ultimately feels so completely dour and offensive. And it’s the gag that closes our show: he curses that a tracker trailer didn’t hit and kill him! Merry Christmas, everybody! A thoroughly forgettable holiday show.

Tidbits and Quotes
– Baby Bart causing miracles nodding his head a la I Dream of Jeannie, Homer and Skinner acting like the Three Stooges, all the bits from the first segment really fall flat. There’s only one moment that comes close to being amusingly self aware. Eddie questions the moral rightness of going in and slaughtering a baby, to which Wiggum responds, “Don’t worry, boys. No one will ever speak or write of this again.” That joke works. It’s similar to an earlier bit where the Archangel Lisa appears to explain Bart/Jesus’s life story to the disillusioned baby, but this line feels more organic. But how do they unnecessarily cap off the joke? Matthew is standing by, scroll in hand! “What a boffo beginning for my book!” See, just in case you’ve never heard of the fucking Bible, we’ll show a guy writing it! So see, the story will be written of, so what Wiggum said was funny! Get it! Get it?!
– The second segment has some chuckle-worthymoments in it, like the reindeer performing CPR on Santa, and a few good lines (“Donner! Blitzen!” “He’s German! That’s good eatin’!”)
– They lead into the singing in the third act by mentioning how the Nutcracker is in the public domain, so they don’t have to pay any royalties. Fair enough, but this show has utilized so many licensed songs they’ve had to pay for at this point, a good share of them only for a few seconds. Hell, in the next episode, they play Johnny Cash’s “Ring of Fire” for what can’t be more than eight seconds. That must have cost them something, and added nothing to the episode.
– The final scene with Marge getting Homer a gift for him to give to her is kind of sweet. I guess. I’ve been lulled into a disillusioned stupor at this point, so I’ll take anything that isn’t Homer screaming or humiliating others.

(originally aired December 11, 2005)
Poor Sideshow Bob. After redeeming himself and being given a suitable farewell in season 8, Mike Scully and Al Jean dragged him back out and downgraded him to just be a generic evil villain who wants to kill the entire Simpson family because he’s evil. It’s the Mr. Burns complex: motivations are out the window, this character’s a bad guy so he does bad guy things. But this isn’t only a Bob show, it’s another travel show. The Simpsons are going to Italy! Burns buys himself a new European car, and needs someone to go overseas to ship it back to him. Not only does he choose Homer, he allows the entire family to go, for some reason. After the obligatory sight-seeing gags, the family ends up at a small Tuscan village, and is shocked to find Sideshow Bob is the mayor. The story of how Bob got there is actually pretty satisfying: he went to Europe to get a fresh start, and ended up being the toast of the town during wine season, able to crush a multitude of grapes with his gargantuan feet. Utilizing established character lore to comic effect? I’m shocked.

Bob’s got a great new life in Italy, a lovely wife and a kid, and in exchange for not exposing his criminal past, he welcomes the Simpsons to his village with open arms. He even fixes their car for them as well. You really feel good about Bob’s new lot in life, and are almost dreading the inevitable moment it comes crashing down and he reverts back to his boring murderous default. A drunk Lisa spills the beans about Bob’s past, and then she stumbles and rips off his suit, revealing his Springfield Prison orange jumpsuit. Why in the ever loving fuck would he be wearing that? Does it even matter? It’s times like these I feel the writers hold the audience in such contempt; they must realize how dumb this stuff is, but decide it’s good enough to air anyway. Bob swears revenge on the family, and inexplicably, his wife and son are on board too. The Simpsons hide out at the Coliseum where Krusty is performing Pagliacci. Bob and family move in for the kill, but Krusty drives away with the Simpsons and everything’s fine. How boring. I think there’s a lot of potential for Bob’s character, but if they’re just going to do the same old evil murder schtick, then why even fucking bother? Classic Simpsons acknowledged when certain characters or jokes were growing stale and put them to bed. New Simpsons then goes and jostles them awake to do the same old song and dance in place of new ideas.

Tidbits and Quotes
– Mr. Burns’s car breaks down in front of the school, and the kids taunt him. He gets out an old timey camera to take their pictures to remember them by for vengeance purposes, then falls asleep under the curtain. It’s funny because he’s old! Later we see Cletus and Brandine, where she comments how Cletus is the most wonderful husband and son she’s ever had. It’s funny because they’re inbred! I know I’ve mentioned this many times, but it’s such a bummer that secondary characters have been reduced to one type of joke. Once they’re on screen, you can pretty much call the gag immediately.
– Li’l Liberal Lisa arrives in Italy with a Canadian flag on her backpack (“Some people in Europe have the impression that America has made some stupid choices over the past… five years…”) Bush has been in office five years, get it? We’re saying his presidency is terrible, without actually saying it! Again, I’ll say this show is toothless for making these sort-of kind-of rips on the sitting President, where in the past the show had no problem ridiculing any specific target head-on.
– My lord, Bob’s wife’s voice is sexy. I mean, just look at her voice actress. Hachi machi. But unfortunately along with that, we have Tress MacNeille as Bob’s son, who is so annoying I just want to strangle that little fucker.
– I actually enjoy most of the second act. Bob’s new life is interesting and within his character, and it’s nice to see the high-minded, genteel side of him, as well as his buffoonish show business side when he clowns around playing soccer with the kids. The fact that it’s ruined at the end of the act when Bob must be forced back to villainy is so disheartening, and that it’s handled so stupidly and unbelievably is like pouring salt on the festering wound. Not even the American Dad ‘Plagiarismo Di Plagiarismo’ bit can quell my great annoyance. The show is definitely the lesser of three MacFarlane evils, but I’d much rather be watching it than this show.
– “I don’t wish to brag, but he’s evil at an eighth grade level.” Not only has Bob become a cartoonish villain, but he acknowledges himself as one.
– Another episode with no ending. Krusty drives in for no reason to save the Simpsons, and Bob and family just walk home, while we hear Tress MacNeille continually screeching as that damn kid.

(originally aired November 27, 2005)
Ah, a Marge episode. Strap yourself in for another exercise in banality. Marge is depressed that she doesn’t have any friends, then she finds some: a group of women called the Cheery Red Tomatoes. Then they do some activities together. Do any of them exhibit any signs of personality? Nope. Only one of them has lines or a name, the rest are just set dressing. Well, that’s not true. Rather than develop another character, they threw Agnes in there too for some reason. Upon her final initiation, Marge realizes the group is planning a heist on Burns Manor, to take the money that Burns had promised to a children’s hospital. They do the job, end up getting caught, Burns lets them go, and Marge is inexplicably out of the group. She reveals she snuck one of Burns’s Faberge eggs in her hair, to which Tammy the leader comments, “To be safe, sweetie, I don’t think we can ever see each other again.” Any reasoning for that? Nope. It’s not even a cop out ending. I don’t even know if I can call it an ending.

The main story is so boring… So is the side story, but it’s more bizarre. Lisa inquires about studying abroad, because of course a second grader can do that. To be approved to go to Italy, she must speak fluent Italian, because, again, eight-year-old American grade schoolers should be expected to be bilingual. She ends up getting a tutor, and is surprised to find it’s Milhouse, who speaks Italian thanks to spending summers in Europe with his grandmother. All of a sudden, he’s brazen and confident, taking Lisa to Little Italy so they can do another Godfather reference. Lisa starts falling for him, for some reason, until she finds him with another girl in his lap… yeah, I don’t even know what to make of all this. Is he acting like a big shot to impress Lisa? If that’s the case, then why was he with that girl in the end? Oh, who cares. There’s nothing worth getting upset about here, it’s just another complete waste of twenty minutes, time that could have been spent telling an interesting story with humor.

Tidbits and Quotes
– I just complained about Miss Springfield and the Crazy Cat Lady in the last episode, and here they are again! Of course Quimby has girls in cages in his office, that totally makes sense, and when Homer tells Marge he found her a friend, of course it’s the fucking Crazy Cat Lady.
– Marge is humiliated by Homer getting into a fight at the Easter egg hunt, but the silver lining is that Homer didn’t start it. Seeing Maggie isn’t getting any eggs, Homer helps out by stealing them from other children (“Peekaboo, I steal from you!”) It’s kind of sweet. Then the referee flat-out tackles him, and the brawl begins. Sure, Homer ends up taking it too far, but at least it’s a little victory for me that for once, Homer wasn’t the provocateur of violence.
– If anyone wants to explain that Sherri & Terri twin language bit to me, have at it. Is the joke that they’re twins? I’m not entirely sure.
– Lisa tries to learn Italian on cassette, but it has phrases like, “I plan to dump this body in the ocean.” She looks and sees it’s “Italian for Italian-Americans!” Because Italian-Americans are mobsters! Get it?
– Marge builds a kinship with the Tomatoes by bitching about Homer. Now, if I may do a quick compare & contrast, think back to “War of the Simpsons,” where we have a similar joke. Marge lists hours and hours of faults about Homer, so many that she grows hoarse, but they’re small, believable things, like that he chews with his mouth open and his long yellow toe nails. Here, Marge complains how Homer cut up her wedding dress to make a badminton net and how he’s a multiple felon. It’s not as funny when Homer’s made out to be this insane maniac rather than just a normal person.
– I guess it’s funny that Milhouse’s middle name is Mussolini. But why would his parents name him that?
– Skimming back through the episode, it seems one of the Tomatoes actually does have a line. And they all chant “Bare hair!” Alright then.
– Mr. Burns arranged an event at the Children’s Hospital, wrote out a check, all so he could announce that he was keeping it for himself and release the hounds on the crowd. This is more cartoon villain Burns from “Homer vs. Dignity,” humiliating and depriving others for his sick, perverted pleasure.

Brief aside, I gotta be honest, I’m kind of getting tired of doing this. The Jean era is really beating me down; these episodes are just getting more and more unremarkable, and a lot of my commentary feels redundant at this point. But I’m so very close to the end, so I might as well press forth. I want to finish seasons 17 and 18, and the movie, by the end of the year, then wrap everything up at the start of 2013. Big thanks to all who have been keeping up and reading all this, and glad to hear you’re enjoying it on some level. Just be thankful you don’t have to watch any of this.

(originally aired November 20, 2005)
Feeling like three stories smashed together, this episode is just a jumbled, aggravating mess. We open with Homer excitedly anticipating Father’s Day, and my fears of him being completely grating through the entire show are quickly confirmed. From top to bottom, he’s just way too mindlessly chipper, and every word out of his mouth makes me want to hit him. Not wanting to simply buy a gift, Lisa makes her father a heartfelt storybook for the holiday, which Homer thoughtlessly rejects. Pretty cold stuff. They tried to make it like he’s just ignorant more than scornful (the perfect example being from “Lisa’s Substitute,” “Just because I don’t care doesn’t mean I don’t understand,”) but he’s just so incredibly callous. I think even Homer would have to realize how much he’s hurting Lisa’s feelings. Lisa ends up snapping at school, and the diagnosis is that with Homer as her prominent male figure in her life, she’s losing faith in the entire gender. Alright, I’m still on board, kind of. To regain her daughter’s respect, Homer agrees to be the school’s safety mascot by donning a salamander costume. Umm… what?

Homer is the Safety Salamander, and of course fails spectacularly at it. Meanwhile, Lisa is becoming more and more appalled by her father (“Janey’s father just takes her to the zoo once a month. Couldn’t you be that kind of Dad?”) It’ll take a miracle to get Homer into her good graces, or more accurately, a gigantic multi-car pile-up which he somehow manages to rescue people out of. With one act left, the plot completely shifts gears: Quimby’s many illegalities are called out, resulting in a recall election, where every wacko in town, including Schwarzenegger expy Rainier Wolfcastle, tries their shot at running. It’s like the California gubernatorial election… that happened two years prior. For some reason, people really respond well to Homer dressed in that stupid suit, so he ends up running. But when Marge washes the suit and it falls apart mid-debate, his candidacy is over. But don’t worry, Lisa’s here for our unearned saccharine ending (“You tried to make this town a better place, and no matter what, that makes you my hero.”) If by that you mean drinking constantly and showboating for the crowd, then sure. It’s more of Homer being a maniac and doing whatever he wants, and the family standing by to support him for no reason whatsoever. Just complete garbage, and the worst Homer-Lisa episode since “Make Room For Lisa.”

Tidbits and Quotes
– Homer tossing aside Lisa’s gift is really so heart wrenching (“You didn’t like it, did you?” “No, no, it’s great! I’m done with it now!”) It feels like one of the cruelest things he’s ever done. There is such a huge difference between this and the aforementioned line from “Lisa’s Substitute.” There, Homer has not been on the radar regarding Lisa’s feelings about Mr. Bergstrom, nor does he really see how upset his daughter is about it. The quote itself is mean, but the intentions were not. The same could be said with this episode, but here the situation directly involves Homer, and Lisa eagerly and visibly anticipating her father’s positive response. Even a fucking lunkhead like Homer should be able to pick up on this and at the very least humor his daughter, but instead, he acts like a fucking asshole and make her cry. Later, Homer reflects on the situation (“I still don’t understand how her feelings can be hurt. It’s my day!”) Remember the days when Homer would fight tooth and nail for the happiness of his children? Now he whines and moans and has absolutely no regard for others. Now that’s great character development.
– Dr. Pryor returns after sixteen long seasons. He was in “Lisa’s Sax,” but in terms of present day depictions, he’s basically been completely forgotten. I like how that’s kind of alluded to as he appears in the shadows of Skinner’s office before he’s mentioned, then feels he can step out and speak his piece.
– “Now I’m off to bring safety to Springfield Elementary and win back your love!” The dialogue here is so painfully on the nose. Homer mentions winning back Lisa’s love a good four times this episode.
– The humongous car pile-up is so ridiculous. It starts as a line of twenty cars rear-ending each other, somehow all driving in a close proximity on a residential street. Then when rescue vehicles arrive from all directions and crash into each other, it turns the wreckage into a gigantic pile of cars. How the fuck did that happen? Doesn’t matter, it gives Homer the opportunity to be a hero. And also for a Smithers gay joke, where Homer pulls him and Mr. Largo out of the wreckage (“We were just carpooling, and that’s it!”)
– Once again, the only gags about Quimby involve his rampant infidelity, showing him hijacking a plane for that reason (“Take this plane anywhere girls are going wild!”) Also the annoyingly voiced Miss Springfield has somehow become a regular character, despite being so very annoying to listen to.
– Speaking of aggravating regular characters, the Crazy Cat Lady is of course running for mayor too, and her full name is revealed: Eleanor Abernathy. I guess the writers fucking love this character.

(originally aired November 13, 2005)
It’s been a while since we had a Marge/Bart episode. The first since “Bart the Mother”? I think that’s right, but if not, who cares. At this point, the writers have forgotten how to write both characters, so the result is very awkward and strange. Marge buys a tandem bicycle hoping to ride with Homer, but he turns her down in favor of television. We’ve come a long way since “Duffless,” haven’t we? Seeing his lonely mother biking by herself, Bart agrees to go with her, and it becomes their regular bonding activity, riding to a dainty tea shop for tea and cakes (for Bart, mainly cakes). It’s a thin, boring premise with not much added to it, but at least I’m fine with the characterization so far. It isn’t long before the bullies poke at Bart for being a “momma’s boy,” leading him to explode at his mother and humiliate her (“Mom, I only hung out with you because I felt sorry for you!”) I get that he needs to shun Marge here, but he does it with such a level of scorn. It’s not “stop mothering me so much,” it’s “I put up with you because you’re pathetic.” Why would he word it that way? How mean is that?

In the final act, the rift created between Marge and Bart starts getting mended. There’s a karaoke contest at the school, for some reason, and Bart suggests he and his mother do a duet. Something that would humiliate him further, but he’s only doing it because that’s what he thinks Marge wants. Then we see how their relationship has the risk of paralleling Skinner and his mother, as they are also performing, which makes absolutely no sense. Agnes doing karaoke? Forget it. Also, Skinner has become completely neutered at this point. He used to have some modicum of respect as Bart’s unofficial arch nemesis, now he’s just this sad, pathetic man who’s chained to his mother in every respect. Marge fears Bart will turn out like him, so he cuts their performance short (“Your job isn’t to worry about me, it’s to give me things to worry about.”) So the ending isn’t Bart apologizing for saying such hateful things to Marge, but Marge apologizing for Bart having to cheer her up. Huh? I get the idea of a mother not wanting to burden her children with her own problems, but it’s not like she unloaded on Bart. She was just having a bad day and Bart responded to it. So I don’t get it. But perhaps I should give up trying to understand some of these episodes.

Tidbits and Quotes
– An intolerable sequence where Homer gleefully hijacks a bumper car as the track is being dismantled and drives it onto the street. Homer being that giddy immediately sets up warning flags for me. He’s a hell of a lot funnier when he’s a dogged everyman, not a giggling maniac.
– There’s sort of a B-story involving Homer taking up arm wrestling. I like the idea of him just bulking up one arm with his dumbbell, then moving on to the other one before Moe stops him, but beyond that, it’s just killing time, and has no bearing on anything. The scene of them attempting to bilk the Rich Texan is the only amusing scene of the episode (“A hundred bucks says he can whoop you in arm wrestling!” “A Texas penny it is!”)
– “Sweet Home Alabama” is played twice on this show’s soundtrack, with characters singing it, for reasons that escape me.
– The China Syndrome is a pretty good store name, as is the talking Krusty tea kettle (“Earl Gray? I’d rather have Lynda Gray! …is she still alive?”)
– We get a Midnight Cowboy reference, but it feels very random. Marge takes a bus to Miami with the tandem bike, I guess representing her dead relationship with her son? Or something?
– The new type of “joke” with the bullies is to have them be knowledgeable or mindful of cultural topics, like Jimbo knowing about Frank Gehry, or here when they discuss the limitations of store credit. Then we end the episode with the three of them singing “My Sharona” outside the Simpson house for some reason, because that’s funny, I guess?