399. 24 Minutes

(originally aired May 20, 2007)
I feel almost ill equipped to review this episode, in that I think I’ve only seen a grand total of three minutes of 24. But then again, an effective parody should also cater to those who have never seen the source material, and this show manages to tell its story in an interesting way. Even with no real knowledge of 24, I was able to pick out what I recognized from the series, and also other dramatic thriller cliches I’m sure the show utilizes frequently. We open with Skinner introducing his own CTU, the Counter Truancy Unit, which is an hyper-sophisticated, technologically advanced super lab. Right away, you’re removing yourself from the normal reality of the show since this is so sensationalist, but it’s good that they kick it off right away. It’s like getting a warning right before a clip show. Skinner and Lisa are hot on the trail of the bullies, who are working on a stink bomb to set off at the school bake sale. With all their field agents incapacitated, Skinner must begrudgingly turn to Bart to stop the bullies before they reek havoc (get it? Reek? Heh heh…)

24 was one of those shows that was so big, that even without watching it, I knew elements of it purely through cultural osmosis. The show takes place within an hour, the multiple split screens, Bauer being in communication with the woman in the lab… This episode hits all those beats, and even mocks them, like with certain scenes where the split screens are of shots close together that they overlap. The story is investing enough, with several different premises converging at the end in a satisfying way. We get to see characters like Martin and the bullies used as part of an actual story, instead of being flat one-note props. The only thing this show was lacking for me was jokes. Nothing humor-wise offended me, but a lot of the gags just kind of laid there with me. But in the end, I ended up not minding too much. This was a really neat episode to watch; it’s like taking the universe of the series and placing it in this new mindset and tackling a different kind of show, and even if you don’t know 24 too well, you can still recognize the major beats and parodies anyway.

Tidbits and Quotes
– I liked all the different IDs for all our characters (Homer Simpson: ATM User, Devoted Father of Two; Marge Simpson: Unemployed)
– Bart requests blueprints of Jimbo’s house, but the closest thing on file are some drawings Jimbo made in second grade (Lisa can’t vouch for their accuracy). Bart is flabbergasted when they turn out to be inaccurate (“Where’s the roller coaster room? And the shark tank?”)
– Even with no knowledge of 24, I appreciated the guest spot by Jack Bauer and the other woman. Chloe? Bart busting the balls of a man under fire and laughing about it is pretty entertaining.
– The whole plot is pretty streamlined to me. I like that they include the bit where Marge drops the cake on the way into the bake sale, and it leaves two sizable dents in the hood of the car. It’s a well animated sequence, and also sets up how rock solid the thing is.
– The beatdown that Bart gives Nelson is a bit alarming, and kind of awesome. He throws him against that locker pretty hard.
– Oh no, more questionable CG. It’s a lot better than that corn maze, since here it’s going through the air vents, which are perfectly geometrical, so it doesn’t look too bad. What does look bad is the integrated 2D, where we see Uter in a spider web and Miss Hoover and Santa’s Little Helper passed out drunk. They’re so flat against the CG, but a bigger problem is how small they are. Either these are the largest air vents ever constructed, or Miss Hoover has shrunk to about two feet tall.
– The Martin suicide bit. The mole/big bad’s henchman has an “oh God, what have I done?” moment and decides to dramatically take his own life, except here, the fake-out is perfect, where he hangs himself… from a coat hanger giving himself a wedgie. They made a suicide joke work, because it was about something else, parodying an identifiable moment in thrillers.
– Wiggum tries to free Bart from his watery grave by firing his gun repeatedly at the glass, aiming for his forehead each and every time. Does this guy have it out for Bart at this point?

398. Stop or My Dog Will Shoot

(originally aired May 13, 2007)
So, in this episode, some stuff happened. This one certainly wasn’t as aggressively terrible as the last two, but I found it pretty damn boring. We open at a harvest fair set piece where the Simpsons get lost in a corn maze. They manage to get out, except for Homer, who’s a real joy to watch this whole first act. And by that, of course, I mean he’s insufferably loud and obnoxious. Santa’s Little Helper picks up his scent and rescues him, which then springboards into him being trained as a police dog. He gets teamed up with Lou, and it becomes like a buddy cop movie, where he talks to him like he’s a human, like he’s the renegade cop that needs to be talked down and told to take it easy. It sounds dumb, but I didn’t mind, it was actually kind of endearing. Also, Lou and Eddie are basically props at this point in the series, so it was nice to see one of them get some more screen time.

SLH becomes such a hardcore police dog that in a heated moment, he bites Bart’s leg. I guess we’re supposed to feel sad for him and hope they get a reconciliation at the end, but I dunno. These episodes feel so emotionally empty now, the era of “Dog of Death” was a long, looooong time ago. Bart gets a replacement pet, a deadly python, which none of the family objects to for some reason. He takes it to school for show-and-tell, it gets loose, knocks over some chemicals at the school, the building is evacuated, SLH rushes in and saves the day and makes up with Bart. Yawn. There’s a moment where the dog rushes in and nudges open Bart’s locker, and Lou understands that he misses his previous owner that’s pretty sweet. Hell, I’m more invested in their relationship than Bart and SLH, oddly enough. There’s a few token bits here that were kind of nice, but largely it was just a dull twenty minutes.

Tidbits and Quotes
– Homer is intolerable in the first act, with so many bits of him screaming that go on way too long: him trying to find the missing pine cone First Ladys, the endless bit of him thinking Marge wanted them to split up, getting electrocuted by the corn maze fence… Just leave him to die in there, I could care less at this point.
– More crummy cel-shaded 3D with the corn maze, where 2D characters are integrated in the CG rows of corn. It looks like crap. Also, Stephen Hawking is in the maze for some Godforsaken reason, in his third appearance. It’s strangely like Futurama in that he’s done three guest spots on both shows: the first being a larger part, and the latter two basically cameos. Except Futurama utilized him in a funny way all three times, and here, only his first appearance I would consider good.
– I liked Bart’s dream of being rescued by SLH as Robocop, after he’d been cornered by Jason Vorhees, Pinhead and a giant math book that bleeds out equations.
– How big is the Springfield Police Force? For new recruits, they have ten dogs, five horses and a dolphin. Considering the only police officers we see are Wiggum, Lou and Eddie, the force seems to have more animals than humans.
– I remember FOX marketed the episode solely on Bart getting the python, since if the show isn’t focused on either Homer or Bart, they have to run promos featuring them heavily anyway. Also, Homer getting hurt is preferable, so every promo showed him getting strangled by the snake.
– Martin’s rabbit hopping inside the python’s gullet as it slowly gets digested into nothing as Bart stands by with a blank look on his face is a wonderfully grim gag.
– SLH drags Bart out of the building, just so Wiggum can snatch him and hog all the credit (“Hero cop saves boy! Hero cop saves boy!”) Remember two episodes ago when he was urging the kid to commit suicide? I do. When did Wiggum become such a negative character?

397. Crook and Ladder

(originally aired May 6, 2007)
It’s almost like I’m being punished. Two surprisingly great episodes in a row are immediately followed by two of the worst episodes of the season, perhaps of the entire series. From beginning to end, this one is just nonsensical garbage. We start with Maggie losing her shit when Marge takes away her pacifier, which ends up getting replaced by a squeaky dog toy. The noises keep Homer up at night and he develops insomnia. Why are none of the other family members affected? No reason given. He turns to medication to get him to sleep, namely a product called Nappein. You know, like Ambien? We’re getting closer and closer to Mapple territory, making a thinly veiled parody specific to one product really limits the range and possibilities of your jokes. The drug turns Homer into a sleepwalking mess, which Bart takes advantage of, and through a series of ridiculous events that hurt my brain to think about, he crashes his car into the fire station and incapacitates the entire crew. The way this happens is so mind-bogglingly cartoony and makes absolutely no sense. But whatever, it’s time for Homer the Firefighter! Another fucking job!

Homer, Apu, Skinner and Moe becomes volunteer fire fighters and grow accustomed to reaping the fringe benefits from the people they save. But eventually Moe figures that they can just steal shit from local residents and businesses under the excuse that the items were fire damaged. And everyone just goes along with this, with Skinner as the lone ethical hold-out. Moe is a lecherous reprobate, so I can see him doing this. Homer at this point is a brainless sociopath, his characterization is out the window, so whatever. But Apu? No way in hell. They just walk out of stores carrying stolen shit in broad daylight, and no one says a thing. Marge witnesses this thievery first hand and forces Homer to go clean. This involves saving Moe and Apu from a burning building, and him being regarded as a hero. Does he ever confess his misdeeds? No. Does he stop being a fire fighter? No, but he sure won’t be one next week. What about all the shit he stole? Instead of return it to the stores, we see he’s given them away to homeless people, evidenced by bums riding on Segways waiting at the soup kitchen. Wonderful. The store knows Segways were lost and are gonna see these guys riding them and think that they stole them, and they’ll be arrested. No lessons were learned, Homer suffers no repercussions for his actions, and nobody seems to care. The writers clearly didn’t. And neither do I. Fuck this episode.

Tidbits and Quotes
– The first few minutes of the episode concern Maggie throwing a fit after Marge tosses her pacifier, and Homer is unable to find her regular brand. When she replaces it with a dog squeak toy, I knew at some point later in the show, we’d see her again with her regular pacifier. And sure enough, we do. It’s not like I give a shit how she got a new one, it just says that what I spent watching in act one was a complete waste of time.
– My God, the mood swings joke. Twenty-two seconds has never felt so long listening to Homer scream, “Mood swings!” over… and over… and over…
– Homer fucks up the exhibits at a wax museum, and then later is personally responsible for smashing his car in the fire house and injuring everyone inside, but of course, he’s never held accountable for any of it. Same with the ending where he never gets brought to task for his many thefts. He’s invincible!
– Okay, so here’s how the firemen get put out of commission. This is incredible. Homer plows his car into the fire station, knocking over a pot of chili boiling on the stove, which is on despite all the firemen sleeping. He also knocks into the fire men’s pole, bending it at ninety degrees. Finally he smashes through the windshield of his car and triggers the fire alarm. The firemen get up, slide down the pole, get thrown down the hall sliding on the chili and slam against the wall. Then hungry Dalmatians maul them because they’re smothered in the chili. But why are the dogs vicious? Wouldn’t they just be fervently licking them instead of mauling them off-screen? It just doesn’t make any sense… but then again, why should it? Do I expect any different at this point?
– It’s stunning how little life our supporting cast has left in them. Skinner barely puts up a protest about the shenanigans in act three, and Apu barely says a goddamn thing as he proceeds to steal up a storm. Again, why the fuck is he doing this?
– Marge and the kids follow the firetrucks to see Homer in action. They’re on the sidewalk right in front of the store next door as Moe, Apu and Homer are all outside as they’re making off with the loot. How the fuck do they not see Marge standing right there?
– I feel like the montage of the kids looking sad trivializes Homer’s dilemma, as it almost seems like it’s a big guilt trip for him to relent and change his ways, instead of him acknowledging that he’s breaking the law and should stop on his own.
– With thirty seconds of show left, we see crowds cheering for Homer, and then a slow push-in on the big oaf’s dumb smiling face. It’s stunning. He’s gotten away with all this shit, and they give him a fucking hero moment at the end? Then we get the actual ending where he instead of giving the stuff back to their rightful owners, he gave them to hobos. Wonderful. What a wonderful fucking scumbag.

396. The Boys of Bummer

(originally aired April 29, 2007)
Well, after two surprisingly good shows, we’re back to basics, here in the most abjectly cruel episode ever. The Springfield Little League team the Isotots (cute) are heading for their championship game after a game-winning catch from Bart. The town is totally psyched about this potential grasp at piddling fame, which I guess is the joke, but the severity of what’s riding on the game is undercut by its utter insignificance. Shelbyville is down by three near the end, but a major fumble in left field by Bart ends up costing them the entire game. And the crowd boos. Oh, how they boo, and throw things at this poor, defenseless child. This abuse continues through the next few days, as grown adults continuously deride and degrade this ten-year-old to the point where he starts crying. I know the townspeople are quick to turn on people, and the gag is all about how seriously people take sports, but this is just going way too far over. They were out for blood when Bart cut off the head of Jebediah Springfield, that I can buy given its symbolism, but here, the kid just lost a fucking Little League game, how could they all care this long for that little?

Eventually, Bart snaps and vandalizes the entire town writing “I HATE BART SIMPSON,” ending with him hanging off a water tower. And then he lets himself fall. After Chief Wiggum tells him to jump. Let me repeat that. Chief Wiggum goaded a ten-year-old boy into killing himself. Earlier right after the game, he lets Bart in his squad car, only to drive him back in the stadium, put the top down (somehow) so spectators could throw shit at him. What an asshole. Anyway, Bart has just had an emotional breakdown and attempted suicide. Act three begins with him in the hospital… and the townspeople are outside as a mob still screaming and yelling at Bart. What in the mother of fuck is wrong with these people? It’s absolute insanity that they’re acting like this, and worse off, when Marge finally chews them out, Moe steps forward, speaking for the crowd, to give the most begrudging of apologies (“Okay, Midge, you made us feel bad about what we done to your boy.”) Oh, you mean drive him to kill himself? The ending involves everyone going through great, moronic lengths to recreate the big game so Bart actually wins, but at this point I’m already too incensed to get any angrier. The people of Springfield are impulsively, easily-swayed morons, but this episode just made them monsters.

Tidbits and Quotes
– There’s a B-story here too involving Homer being a mattress salesman (another occupation checked off). He helps the Lovejoys find a bed to help improve their love life, only to end up selling his own “miracle” mattress. But when that impedes he and Marge’s snuggling, they break into the Lovejoys to get it back. This premise doesn’t tie into the main story at all, so while Bart is busy being tormented and attempting to take his own life, we cut back to this plot with a completely different tone. In act three, we go from Bart in the hospital to Homer and Marge in burglar outfits sneaking about Lovejoy’s house. Their son almost killed himself and they still give a shit about that fucking mattress? The plot ends with them getting half a mattress, and they proceed to make love outdoors while a homeless man watches and proceeds to fondle Homer’s love handles. What. The. Fuck.
– I liked Homer’s search for the “husband chair” at Costington’s. He tries to snatch one until Wiggum gets there first and trains a gun at him (“My wife’s looking for a bathing suit that doesn’t make her look horsey, so I’m gonna be here a while.”) He aims and cocks his gun at an innocent man, and that’s not even the worst thing he does in this episode.
– After being so pleased with Homer and Lisa’s behavior the last two episodes, they’re back to “normal” now (“All this fuss for a baseball game? Why don’t thousands come to watch a teacher inspire a child?” “Why, it did happen! Just yesterday, in Crazy Town!“) Homer later sells out Bart right after the game, while everyone else does nothing. The vitriol from the entire town against Bart is so strong, why did it take so long for Marge to get on the defensive?
– The ending makes absolutely no sense to me, and really serves to demean Bart more. They stage an elaborate rematch of the game, then convince Bart he’s allotted over seventy “re-dos” when he can’t catch the ball. Is he that stupid that he doesn’t question what’s going on? And that the whole town would go along with this nonsense when days before, they were out to watch this kid die? The very end with the cut to the future makes it even worse, where Bart recalls that game as the greatest moment of his life, having never been exposed to the lie. It makes him seem absolutely pathetic, whereas before I had the utmost sympathy toward him. Then the spirits of Homer and Marge show up and talk about ghost sex. Okay. One of the worst episodes ever.

395. Marge Gamer

(originally aired April 22, 2007)
Another good episode? And J. Stewart Burns writing two in a row? What is going on? Despite a few quibbles, mainly with the A-story, both plots here are fairly well constructed, work within our characters, and provide a fair amount of laughs. Just as her husband did five years prior, Marge discovers the world of the Internet and quickly becomes hooked, in a lame, very Marge way, finding cheap prices for paper towels and sending holiday e-cards. She stumbles into a game called Earthland Realms, an MMORPG similar to games like Everquest or World of Warcraft. Of course we see our regular characters are all playing for some reason, but at least they all give explanations for why they’re there, like Mrs. Krabappel looking to find a man who can afford a computer. Then there’s appearances by Skinner, Sideshow Mel, Smithers, people I don’t think would waste their time with this stuff. But it’s par for the course to have some of our regulars here, so I don’t mind that much. The main thrust is that Bart is this super powerful warlord in the game, and Marge ends up finding a way to extend her overbearing mothering into the virtual world. Bart ends up accidentally killing Marge’s character, and to make things right, he sacrifices most of his life bar to revive her, leaving his avatar to be mercilessly slaughtered by the other players. A simple resolution, but done pretty effectively.

I actually really love the B-story, despite a somewhat rocky start. Lisa has taken up soccer, but there’s no referee. Who will step in? That wacky Homer of course, as we see a montage of him ripping off his sports bra and vomiting in an orange cone. But once we get past that, we get the actual story, where Lisa finds she can exploit Homer’s favoritism to cheat at the game. It’s startling nowadays to see her actually act like a kid, and even though it’s pretty dicey to have her act this self-serving, it’s still within the realm of an eight-year-old to act. Homer actually becomes a competent ref, and when Lisa’s transgressions are exposed, he throws her from the game. Even the superfluous guest spot is amusing: Brazilian soccer star Ronaldo singles Lisa out as a “flip-flopper,” but his acting is so wonderfully bad, and his character so unusually malicious, it ends up being pretty funny (“Another family broken up by Ronaldo. Yes!”) To make amends, Homer gets Lisa a PBS tape about the violent history of the sport, and in the end, Lisa apologizes to her father for the way she acted. I’m beside myself with this premise; Homer doesn’t irritate the shit out of me… instead, I empathize with him. And Lisa acts like a bratty kid, and then learns a lesson and we still love her too. I liked “Homerazzi,” but I think this subplot is the best thing I’ve seen on the show since the classic years. Good show, Mr. Stewart Burns.

Tidbits and Quotes
– I love how Marge comments how she can make her avatar into anyone she wants, then just proceeds to make it look just like her, as does everyone else in the game, apparently. It’s like in simulation games like The Sims where people make little virtual versions of themselves, when really the options for character creation are endless.
– It’s odd to see Dr. Nick make a cameo in the game as a dismembered head. We really haven’t seen much of him lately. And then he’ll be killed again in the movie, for real. Or not. I’m sure made a reappearance at some point.
– I really like the bits of Marge smothering Bart in the game, it’s pretty adorable (“What a fun quest! Aren’t you glad I made you take that nap in the middle?”)
– Lisa cites she was inspired to take up soccer by Bend It Like Beckham. It’s odd that in the flashback we see Apu stand up in approval of an arranged marriage in the film, considering how he tried so desperately to wriggle out of his own.
– I love how pissed Helen Lovejoy is at Homer discrediting her daughter (“You are so blind even Jesus couldn’t heal you!” “Helen, please, don’t drop the J-bomb.”) And I really mean no disrespect, but the way Ronaldo reads his lines is so off, but it’s hysterical (“Now, Ronaldo away!”)
– The scene of Bart and Homer ending up on the couch, both in hot water by the Simpson women, is fantastic. The conflicts are believable, and the two take a momentary solace in each other’s company (“I’ll never understand women if I live to be forty.” “Big ‘if.'” “You said it. Enjoy me while I last!”) Hey, these two are actually kind of amicable instead of being antagonists to each other! There’s a lot of small bits in this episode that echo to the golden years. Even the part with the phony Moe and the real one tied up in the back room was just the right amount of bizarre to still be funny.