Original airdate: March 22, 2020
The premise: An unwitting Marge is hired at Drederick Tatum’s new weed dispensary, but her cool new job is threatened when Homer teams up with Otto and Moe to sell pot their own way: in the underground fashion of yesteryear.
The reaction: Hard to believe it’s been eighteen years since Homer was prescribed medical marijuana in a very controversial episode for its time. In terms of satirizing legal cannabis culture, this episode actually has some promising ideas, but as always, the execution doesn’t hit the mark, mostly from how Homer and Marge seem completely adrift in their own stories. We start with Marge dropping Maggie off at pre-emptive daycare, and not knowing what to do with herself, she just stands in a random line at a newly opened shop (“If all these people want to work here, maybe I want to work here!”) She takes a bizarre ethics assessment test, and then, by being the only person who notes the attendant’s name tag is upside down, she immediately gets hired and starts working, despite not actually knowing what the hell the store is. It reminded me of an episode way back when where Marge worked for an erotic bakery, fulfilling many, many orders before she finally discovered the truth. She’s supposed to be painfully naive, but the way it’s written, it just makes her look dumb and flaky. Later, Drederick Tatum reveals why they wanted to hire Marge: she serves as an honest, caring face that will put people at ease frequenting such an “edgy” establishment. This concept I do really like, since as a caring and emphatic figure of the community, Marge really is the ideal candidate, and seeing how smoking pot can help people with severe anxiety or stress could make her feel better, a new venue of mothering and helping as a replacement for Maggie. Another promising concept involves Otto, whose appearance in an episode like this was inevitable, who finds himself disillusioned by this brave new world of legal weed. He misses the good old days of buying some shitty skunk weed from a friend of an acquaintance of a friend in their run down apartment that smells like a wet grocery bag. And so, Moe and Homer make his dream a reality, setting up shop in the back of Moe’s to create a simulated experience of buying weed from some shady guy in his mom’s basement. This conceit could work twofold: enticing similar-minded folks like Otto who miss underground pot culture, that being a more appealing lifestyle than the actual act of smoking pot itself. Or it could end up becoming even more popular that Marge’s store, with hipsters embracing the more “authentic” nature of Homer and Moe’s shady outlet. But none of these things really happen. Marge’s allegiance to Well + Good only amounts to her being excited to be a part of something outside the home, which is the core idea behind basically all Marge-gets-a-job episodes. Meanwhile, I have no fucking idea why Homer is so invested on his end, to the degree that when Marge performs a sting operation to get him shut down to save her own job, Homer is upset and betrayed and I really don’t understand why. What personal investment does he have in the weed business? I don’t even know if he was being paid. The finale involves Homer outing Marge for never having smoked before, so she does, gets a bad high, and Homer helps calm her down, and that’s it. Any of the commentary about marijuana’s medicinal or helpful attributes is thrown out the window when Marge’s two co-workers are revealed to just be happy-go-lucky stoners (“What you need to understand is this: I’m high too!!” “I’m serenitied out of my gourd!”) By the time Homer accidentally blows up Tatum’s new cannabis resort and spa, I was at a loss in figuring out what the point of the episode was. What did Homer and Marge want, and what did they learn? I really couldn’t say.
Three items of note:
– Drederick Tatum plays a huge role in this episode, maybe his biggest solo episode appearance of the entire series. It was just kind of odd hearing him talk for so long. He also sports Mike Tyson’s facial tattoo for the first time (I think?), just in case you couldn’t tell this 30-year-old character is supposed to be a parody of the famous boxer. We then get great jokes like a magazine cover making fun of his speech impediment (“Bithneth Ith Booming”) Once more, the series finds itself woefully stuck in the past. After all those Hangover movies and Mike Tyson Mysteries on adult swim, isn’t the well on Mike Tyson jokes completely dried up at this point? Even now, we’re still expected to laugh at how funny he talks?
– Billy Porter and Chelsea Peretti join the long, long list of incredibly talented performers stuck slumming it through subpar material on this legacy show. Also making an incredibly brief cameo appearance is Kevin Smith. Homer claims he broke into Tatum’s exclusive gala event by claiming to be Smith’s father, and when he accidentally blows the place sky high, Smith runs in and cries, “Dad, what did you do?!” Kind of odd that an episode all about weed culture would only feature Smith for just one line. They couldn’t have given him another scene at the party or something? Kevin Smith is one of those creators whose work is a mixed bag, even terrible at times, but as a public figure, he’s just so authentic and so damn likable that I can’t be mad at him, even if Tusk made me physically vibrate I was so perplexed and aggravated by it. Smith talked a bit recently on his social media how excited and honored he was to be featured on the show, even shouting out the character designer who drew him (“I always dreamed of being on The Simpsons, but never imagined, if it happened, that I’d be rendered thinner than Homer!”) You gotta love the guy. Too bad he wasn’t in an episode twenty years earlier, or at the very least on Futurama as a head in a jar or something.
– The episode was so poorly plotted and aimless that Marge losing her job and Maggie being removed from daycare are relegated to a tag playing under the credits. Marge needing to find purpose in her life being a new empty nester could have been a really rich vein to tap through the entire episode, but it’s completely abandoned after the opening. Hell, maybe smoking pot could have helped Marge with her separation anxiety or something. She finds smoking helps calm her down, but has to hide her new habit from the rest of the family. There’s an idea. Although I don’t even know if you could even show a character smoking a joint even now on prime time television, which is probably why in the climax, Marge just takes a drop of CBD oil on her tongue.
I was really hoping this episode would be about wishing wells
I’m gonna be honest here, if Mike Tyson Mysteries wasn’t on, the Simpsons wouldn’t have a reason to drag Drederick Tatum back out of retirement after 30 years of storage and give him such a big part.
This show is quiet noise while you’re watching something else.
Would you rather watch Zombie Simpsons or Family Guy?
No.
I was asking Mike.
I’d probably take early Family Guy over modern Simpsons, but then modern Simpsons over modern Family Guy.
It’s a small bit of praise, but at least Mike acknowledges that Family Guy used to be a better show than it is now.
There are a lot of problems with modern Family Guy (which could make up multiple blog posts), but at least the show is willing to be experimental, try new things, and have some kind of self-awareness. The Simpsons will do the occasional experiment like “Thanksgiving of Horror,” but for the most part, every episode these days recycles the same six or seven plots.
I don’t think “Family Guy” was ever great to begin with. I always thought it was a lame rip-off of “The Simpsons”.
The similarities are endless:
* It’s a long-running FOX cartoon.
* It’s about a dysfunctional family with three children (a son who’s a troublemaker, a brainiac daughter, and an intelligent baby)
* The father is an overweight, incompetent drunk who spends a good portion of his time at a bar with his two friends.
* The mother is a matriarch and usually the voice of reason during the family’s antics.
The similarities are there, but honestly, it stops at the two families being dysfunctional. Stewie, Chris, and Meg aren’t the same characters as Bart, Lisa, and Maggie. Family Guy goes for random, off-the-wall comedy that takes shots at various groups and pop culture in general. It’s more like a sketch comedy show. I think the earlier seasons (the first three) definitely had a Simpsons influence, but after it got cancelled and most of the original writers moved on, it wasn’t there anymore.
I know people accuse Family Guy of being a Simpsons ripoff, but if it tried doing everything The Simpsons did, it wouldn’t have survived. It was able to connect with people because of a certain charm. Even members of The Simpsons crew were jealous in the beginning because Family Guy was doing things they weren’t able to. Watching both shows, they don’t operate the same way and haven’t in a long time. It’s like how people accuse American Dad of being a Family Guy ripoff when it’s not even the same show.
+The Anonymous Nobody
“Even members of The Simpsons crew were jealous in the beginning because Family Guy was doing things they weren’t able to”.
I truly believe it, considering that writing for a show were characters don’t need to be likeable or coherent, the plots don’t need to make sense, and the episodes don’t need to fill 22 minutes because they can just stuff them with dozens of dumb cutaway gags, is a bit easier than writing for a show that was the most brilliantly written in TV history.
And I agree with Yukon Bob. Family Guy has never been great. Not even close. But I appreciated when they changed style and stopped trying to be The Simpsons (LOL good luck) and became more mean spirited, gross and offensive; at least they were different.
What’s funny about this screenshot is that Marge’s hair looks way crazier than the other women’s, even though I assume we’re supposed to think she’s a liberal eccentric, what with her pink and purple hairdo and all.
It’s that clash of styles; the fussiness of Modern Simpsons where characters have to be designed to fit the exact mold they were designed for, and a character from the very beginning, where it wasn’t “Ah, screw it”, but the design process was literally whatever they came up with.
I watched this one back to back with the Bart bad guy episode and it did get a couple of chuckles out of me, specifically from Otto. I loved his freaking out bit when he was in the shop and got helped by Eddie. Other than that, this episode was pretty forgettable. I agree, Homer being a pot dealer was just random and it made no sense why he got pissed off at Marge for stopping him from sabotaging his operation.
Also, isn’t the place they are holding the party at in the last act the same place from the season premier episode with all of the YouTubers?
Oh, and why can I not remember the B plot of this episode?
Yeah, big waste of Kevin Smith, but what else do you expect at this point?